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Pagina 97
Intuition and Expression Knowledge has two forms : it is either intuitive knowledge or logical knowledge ; knowledge obtained ... of certain truths ; that they are not demonstrable by syllogisms ; that they must be learnt intuitively .
Intuition and Expression Knowledge has two forms : it is either intuitive knowledge or logical knowledge ; knowledge obtained ... of certain truths ; that they are not demonstrable by syllogisms ; that they must be learnt intuitively .
Pagina 98
Those concepts which are found mingled and fused with the intuitions are no longer concepts , in so far as they are really mingled and fused , for they ... They have been concepts , but have now become simple elements of intuition .
Those concepts which are found mingled and fused with the intuitions are no longer concepts , in so far as they are really mingled and fused , for they ... They have been concepts , but have now become simple elements of intuition .
Pagina 99
intuition . If we imagine a human mind having intuitions for the first time , it would seem that it could have intuitions of actual reality only , that is to say , that it could have perceptions of nothing but the real .
intuition . If we imagine a human mind having intuitions for the first time , it would seem that it could have intuitions of actual reality only , that is to say , that it could have perceptions of nothing but the real .
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. RICHARDS ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words