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Pagina 97
Intuition and Expression Knowledge has two forms : it is either intuitive
knowledge or logical knowledge ; knowledge obtained ... give definitions of
certain truths ; that they are not demonstrable by syllogisms ; that they must be
learnt intuitively .
Intuition and Expression Knowledge has two forms : it is either intuitive
knowledge or logical knowledge ; knowledge obtained ... give definitions of
certain truths ; that they are not demonstrable by syllogisms ; that they must be
learnt intuitively .
Pagina 98
But , think what one may of these instances , and admitting further the contention
that the greater part of the intuitions of civilized man are impregnated with ... They
have been concepts , but have now become simple elements of intuition .
But , think what one may of these instances , and admitting further the contention
that the greater part of the intuitions of civilized man are impregnated with ... They
have been concepts , but have now become simple elements of intuition .
Pagina 99
intuition . If we imagine a human mind having intuitions for the first time , it would
seem that it could have intuitions of actual reality only , that is to say , that it could
have perceptions of nothing but the real . But since knowledge of reality is ...
intuition . If we imagine a human mind having intuitions for the first time , it would
seem that it could have intuitions of actual reality only , that is to say , that it could
have perceptions of nothing but the real . But since knowledge of reality is ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness consists contemplation course criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular pattern perception person philosophical physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound style symbols theory things thought tion tragedy true truth unity universal whole writers