Dall'interno del libro
Risultati 1-3 di 81
Pagina 29
The perception of the beautiful is related to knowledge , but by way of addition , “
as its bloom is an addition to youth ” ; it is not so much a kind of knowledge as a
kind of delight . The beautiful is essentially delightful . Therefore by its very nature
...
The perception of the beautiful is related to knowledge , but by way of addition , “
as its bloom is an addition to youth ” ; it is not so much a kind of knowledge as a
kind of delight . The beautiful is essentially delightful . Therefore by its very nature
...
Pagina 249
At present , however , we are dealing with principles that have proven to be the
same in all the arts , when each kind of art - plastic , musical , balletic , poetic ,
and each major mode , such as literary and dramatic writing , or painting ...
At present , however , we are dealing with principles that have proven to be the
same in all the arts , when each kind of art - plastic , musical , balletic , poetic ,
and each major mode , such as literary and dramatic writing , or painting ...
Pagina 266
Further , our kind of scientific and economic thinking makes us define things by
measurements rather than by the dynamics of their appearance . Our criteria for
what is useful or useless , friendly or hostile , have tended to sever the
connections ...
Further , our kind of scientific and economic thinking makes us define things by
measurements rather than by the dynamics of their appearance . Our criteria for
what is useful or useless , friendly or hostile , have tended to sever the
connections ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS EMOTIONAL EXPRESSION | 51 |
ART AS INTUITION | 77 |
Copyright | |
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abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection conscious consists contemplation course criticism definition desire direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follows function give hand human ideas illusion imagination imitation important individual interest intuition judgment kind knowledge language less living look material matter meaning merely mind moral movement nature never object observation organic painting particular perception person philosophers physical picture play pleasure poem poet poetry possible practical present principle produce pure question reality reason relation result scientific seems sense shape sound speak spiritual style symbols theory things thought tion tragedy true truth unity universal whole