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Pagina 29
The perception of the beautiful is related to knowledge , but by way of addition , “ as its bloom is an addition to youth " ; it is not so much a kind of knowledge as a kind of delight . The beautiful is essentially delightful .
The perception of the beautiful is related to knowledge , but by way of addition , “ as its bloom is an addition to youth " ; it is not so much a kind of knowledge as a kind of delight . The beautiful is essentially delightful .
Pagina 249
At present , however , we are dealing with principles that have proven to be the same in all the arts , when each kind of art - plastic , musical , balletic , poetic , and each major mode , such as literary and dramatic writing ...
At present , however , we are dealing with principles that have proven to be the same in all the arts , when each kind of art - plastic , musical , balletic , poetic , and each major mode , such as literary and dramatic writing ...
Pagina 266
Therefore , on the basis of their expressive appearance , our eye spontaneously creates a kind of Linnean classification of all things existing . This perceptual classification cuts across the order suggested by other kinds of ...
Therefore , on the basis of their expressive appearance , our eye spontaneously creates a kind of Linnean classification of all things existing . This perceptual classification cuts across the order suggested by other kinds of ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness consists contemplation course criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular perception person philosophical physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Provenienza dell'originale | la University of California |
| Digitalizzato | 29 ott 2008 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |