A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 82
Pagina 97
... Knowledge has two forms : it is either intuitive knowledge or logical knowl- edge ; knowledge obtained through the imagination or knowledge obtained through the intellect ; knowledge of the individual or knowledge of the universal ; of ...
... Knowledge has two forms : it is either intuitive knowledge or logical knowl- edge ; knowledge obtained through the imagination or knowledge obtained through the intellect ; knowledge of the individual or knowledge of the universal ; of ...
Pagina 273
... knowledge . That as far as he could it would be wise for him to organize himself in this way , with knowledge as the foundation on which should rest feeling , attitude , and be- havior . In point of fact , he never has been so organized ...
... knowledge . That as far as he could it would be wise for him to organize himself in this way , with knowledge as the foundation on which should rest feeling , attitude , and be- havior . In point of fact , he never has been so organized ...
Pagina 439
... knowledge and beauty , are inde- pendent of individual , personal desires and instincts and fancies . Both make a general claim ; they are not meant as individual decisions , they demand an over - individual value ; that which is knowledge ...
... knowledge and beauty , are inde- pendent of individual , personal desires and instincts and fancies . Both make a general claim ; they are not meant as individual decisions , they demand an over - individual value ; that which is knowledge ...
Sommario
ART AS SEMBLANCE3 | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give Hugo Münsterberg human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words