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Pagina 54
but in both cases there is emotion to give more or less lively evidence of its
existence by means of exterior signs . When expressed by gesture and rhythmic
movement , such emotion produces the dance ; when by rhythmic notes , music ;
when ...
but in both cases there is emotion to give more or less lively evidence of its
existence by means of exterior signs . When expressed by gesture and rhythmic
movement , such emotion produces the dance ; when by rhythmic notes , music ;
when ...
Pagina 55
However thorough a realist he may think himself , he does not leave himself to
chance . Now , choice of subject alone is enough to prove that , from the very
beginning , some preference has existed , the result of a more or less
predeterminate ...
However thorough a realist he may think himself , he does not leave himself to
chance . Now , choice of subject alone is enough to prove that , from the very
beginning , some preference has existed , the result of a more or less
predeterminate ...
Pagina 69
And as the evolution of knowledge proceeds by truer and more necessary
knowledge dislodging and replacing what was mistaken and unnecessary , so
the evolution of feeling proceeds by means of art , feelings less kind and less
necessary ...
And as the evolution of knowledge proceeds by truer and more necessary
knowledge dislodging and replacing what was mistaken and unnecessary , so
the evolution of feeling proceeds by means of art , feelings less kind and less
necessary ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS EMOTIONAL EXPRESSION | 51 |
ART AS INTUITION | 77 |
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abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection conscious consists contemplation course criticism definition desire direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follows function give hand human ideas illusion imagination imitation important individual interest intuition judgment kind knowledge language less living look material matter meaning merely mind moral movement nature never object observation organic painting particular perception person philosophers physical picture play pleasure poem poet poetry possible practical present principle produce pure question reality reason relation result scientific seems sense shape sound speak spiritual style symbols theory things thought tion tragedy true truth unity universal whole