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Pagina 54
but in both cases there is emotion to give more or less lively evidence of its existence by means of exterior signs . When expressed by gesture and rhythmic movement , such emotion produces the dance ; when by rhythmic notes , music ...
but in both cases there is emotion to give more or less lively evidence of its existence by means of exterior signs . When expressed by gesture and rhythmic movement , such emotion produces the dance ; when by rhythmic notes , music ...
Pagina 55
Poet , musician , sculptor and architect , all pay more or less strict obedience to the same law . To it , point all those rules of artistic composition which pedantic academicism has subtly multiplied until they contradict each other .
Poet , musician , sculptor and architect , all pay more or less strict obedience to the same law . To it , point all those rules of artistic composition which pedantic academicism has subtly multiplied until they contradict each other .
Pagina 69
And as the evolution of knowledge proceeds by truer and more necessary knowledge dislodging and replacing what was mistaken and unnecessary , so the evolution of feeling proceeds by means of art— feelings less kind and less necessary ...
And as the evolution of knowledge proceeds by truer and more necessary knowledge dislodging and replacing what was mistaken and unnecessary , so the evolution of feeling proceeds by means of art— feelings less kind and less necessary ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness consists contemplation course criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular perception person philosophical physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Provenienza dell'originale | la University of California |
| Digitalizzato | 29 ott 2008 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |