A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 64
Pagina 255
... lines matters , and the appearance of texture and weight . A given triangle is the same in any position , but to an artistic form its location , balance , and surroundings are not indifferent . Form , in the sense in which we ar- tists ...
... lines matters , and the appearance of texture and weight . A given triangle is the same in any position , but to an artistic form its location , balance , and surroundings are not indifferent . Form , in the sense in which we ar- tists ...
Pagina 325
... line , or volume , as the pointed arch of the Gothic , the round arch of the Roman , the ellipse of the baroque . In ... lines ( paral- lelism ) in painting and sculpture and architecture ; the refrain in poetry ; the re- appearance of ...
... line , or volume , as the pointed arch of the Gothic , the round arch of the Roman , the ellipse of the baroque . In ... lines ( paral- lelism ) in painting and sculpture and architecture ; the refrain in poetry ; the re- appearance of ...
Pagina 327
... line is high , and the upper part seems therefore to be relatively empty of masses ; for the distance values in the ... lines , and their opposition and balance , two by two . Or a colonnade , as you apprehend the columns in succession ...
... line is high , and the upper part seems therefore to be relatively empty of masses ; for the distance values in the ... lines , and their opposition and balance , two by two . Or a colonnade , as you apprehend the columns in succession ...
Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling fighting games function give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce program music psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words