A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 57
Pagina 251
... logical form . So far we have considered only objects - lampshades , hands , or regions of the earth - as having forms . These have fixed shapes ; their parts remain in fairly stable relations to each other . But there are also ...
... logical form . So far we have considered only objects - lampshades , hands , or regions of the earth - as having forms . These have fixed shapes ; their parts remain in fairly stable relations to each other . But there are also ...
Pagina 252
An Anthology Melvin Miller Rader. translation , whereby one instance of the logical form is shown to correspond formally to the other . The logical form itself is not another thing , but an abstract concept , or better an abstractable ...
An Anthology Melvin Miller Rader. translation , whereby one instance of the logical form is shown to correspond formally to the other . The logical form itself is not another thing , but an abstract concept , or better an abstractable ...
Pagina 282
... logical consequences as a hypothesis . But here we are con- cerned very little with logical consequences and almost exclusively with emo- tional consequences . In the effect of the thought upon our feelings and attitudes , all its ...
... logical consequences as a hypothesis . But here we are con- cerned very little with logical consequences and almost exclusively with emo- tional consequences . In the effect of the thought upon our feelings and attitudes , all its ...
Sommario
ART AS SEMBLANCE3 | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give Hugo Münsterberg human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words