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Pagina 68
The presence in various degrees of these three conditions : individuality , clearness , and sincerity , decides the merit of a work of art as art , apart from subject matter . All works of art take order of merit according to the degree ...
The presence in various degrees of these three conditions : individuality , clearness , and sincerity , decides the merit of a work of art as art , apart from subject matter . All works of art take order of merit according to the degree ...
Pagina 100
On the hither side of the lower limit is sensation , formless matter , which the spirit can never apprehend in itself as simple matter . This it can only possess with form and in form , but postulates the notion of it as a mere limit .
On the hither side of the lower limit is sensation , formless matter , which the spirit can never apprehend in itself as simple matter . This it can only possess with form and in form , but postulates the notion of it as a mere limit .
Pagina 321
Pure poetry is not the decoration of a preconceived and clearly defined matter : it springs from the creative impulse of a vague imaginative mass pressing for development and definition . If the poet already knew exactly what he meant ...
Pure poetry is not the decoration of a preconceived and clearly defined matter : it springs from the creative impulse of a vague imaginative mass pressing for development and definition . If the poet already knew exactly what he meant ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness consists contemplation course criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular perception person philosophical physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Provenienza dell'originale | la University of California |
| Digitalizzato | 29 ott 2008 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |