A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 81
Pagina 68
... matter . The absence of any one of these conditions excludes a work from the cate- gory of art and relegates it to that of art's counterfeits . If the work does not trans- mit the artist's peculiarity of feeling and is therefore not ...
... matter . The absence of any one of these conditions excludes a work from the cate- gory of art and relegates it to that of art's counterfeits . If the work does not trans- mit the artist's peculiarity of feeling and is therefore not ...
Pagina 100
... matter , which the spirit can never apprehend in itself as simple matter . This it can only possess with form and in form , but postulates the notion of it as a mere limit . Matter , in its abstraction , is mechanism , passivity ; it is ...
... matter , which the spirit can never apprehend in itself as simple matter . This it can only possess with form and in form , but postulates the notion of it as a mere limit . Matter , in its abstraction , is mechanism , passivity ; it is ...
Pagina 303
... matter is most completely absorbed into form.3 A less isolationist theory is expressed by Andrew Cecil Bradley ( 1851-1935 ) , a distinguished critic and professor of poetry at Oxford University . Although he primarily discusses form ...
... matter is most completely absorbed into form.3 A less isolationist theory is expressed by Andrew Cecil Bradley ( 1851-1935 ) , a distinguished critic and professor of poetry at Oxford University . Although he primarily discusses form ...
Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling fighting games function give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce program music psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words