A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
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Risultati 1-3 di 86
Pagina 240
... Meaning of Meaning , to explain these distinctions . Particularly important for esthetics is the difference between " emotive " and " descriptive " meaning . The distinction is be- tween meaning used to describe facts and meaning ...
... Meaning of Meaning , to explain these distinctions . Particularly important for esthetics is the difference between " emotive " and " descriptive " meaning . The distinction is be- tween meaning used to describe facts and meaning ...
Pagina 320
... meaning , but in unity with them and so as expressive of the poetic meaning of the whole . It is always so in fine poetry . The value of versification , when it is indis- solubly fused with meaning , can hardly be exaggerated . The gift ...
... meaning , but in unity with them and so as expressive of the poetic meaning of the whole . It is always so in fine poetry . The value of versification , when it is indis- solubly fused with meaning , can hardly be exaggerated . The gift ...
Pagina 522
... Meaning , ” Southern Review , Vol . 4 ( 1939 ) , pp . 501-23 . Carver , G. A. , Aesthetics and the Prob- lem of Meaning , New Haven , 1952 . Cassirer , An Essay on Man , New Haven , 1944 , Ch . 9 . --- Language and Myth , New York ...
... Meaning , ” Southern Review , Vol . 4 ( 1939 ) , pp . 501-23 . Carver , G. A. , Aesthetics and the Prob- lem of Meaning , New Haven , 1952 . Cassirer , An Essay on Man , New Haven , 1944 , Ch . 9 . --- Language and Myth , New York ...
Sommario
ART AS SEMBLANCE3 | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give Hugo Münsterberg human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words