Dall'interno del libro
Risultati 1-3 di 3
Pagina 46
ment and creation is highly specialized and exclusive , and hence the greatest
ages of art have often been strangely intolerant . The invectives of one school
against another , perverse as they are philosophically , are artistically often signs
of ...
ment and creation is highly specialized and exclusive , and hence the greatest
ages of art have often been strangely intolerant . The invectives of one school
against another , perverse as they are philosophically , are artistically often signs
of ...
Pagina 153
Being essentially the instru : ment for his work , he is subordinate to it , and we
have no reason for expecting him to interpret it for us . He has done the best that
in him lies in giving it form , and he must leave the interpretation to others and to ...
Being essentially the instru : ment for his work , he is subordinate to it , and we
have no reason for expecting him to interpret it for us . He has done the best that
in him lies in giving it form , and he must leave the interpretation to others and to ...
Pagina 195
... at the wall and catches it again , this feature has disappeared . Look at and skill
in tennis . Think now of games like ring - a - ring - a - roses ; here is the ele ment
of amusement , but how many other characteristic features have disappeared !
... at the wall and catches it again , this feature has disappeared . Look at and skill
in tennis . Think now of games like ring - a - ring - a - roses ; here is the ele ment
of amusement , but how many other characteristic features have disappeared !
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Sommario
ART AS SEMBLANCE | 3 |
ART AS EMOTIONAL EXPRESSION | 51 |
ART AS INTUITION | 77 |
Copyright | |
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abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection conscious consists contemplation course criticism definition desire direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follows function give hand human ideas illusion imagination imitation important individual interest intuition judgment kind knowledge language less living look material matter meaning merely mind moral movement nature never object observation organic painting particular perception person philosophers physical picture play pleasure poem poet poetry possible practical present principle produce pure question reality reason relation result scientific seems sense shape sound speak spiritual style symbols theory things thought tion tragedy true truth unity universal whole