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Pagina 19
only as possessed by mind , but whereas in them mind and the external still sit
loosely to each other , and in the one case the mind contemplates an external
reality which owes to the mind its truth but not its reality , and in the other case the
...
only as possessed by mind , but whereas in them mind and the external still sit
loosely to each other , and in the one case the mind contemplates an external
reality which owes to the mind its truth but not its reality , and in the other case the
...
Pagina 27
Beauty is essentially the object of intelligence , for what knows in the full meaning
of the word is the mind , which alone is open to the infinity of being . The natural
site of beauty is the intelligible world : thence it descends . But it also falls in a ...
Beauty is essentially the object of intelligence , for what knows in the full meaning
of the word is the mind , which alone is open to the infinity of being . The natural
site of beauty is the intelligible world : thence it descends . But it also falls in a ...
Pagina 28
proportion , because the mind likes order and likes unity ; lastly and above all
brightness or clarity , because the mind likes light and intelligibility . A certain
splendor is indeed according to all the Ancients the essential character of beauty
...
proportion , because the mind likes order and likes unity ; lastly and above all
brightness or clarity , because the mind likes light and intelligibility . A certain
splendor is indeed according to all the Ancients the essential character of beauty
...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS EMOTIONAL EXPRESSION | 51 |
ART AS INTUITION | 77 |
Copyright | |
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abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection conscious consists contemplation course criticism definition desire direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follows function give hand human ideas illusion imagination imitation important individual interest intuition judgment kind knowledge language less living look material matter meaning merely mind moral movement nature never object observation organic painting particular perception person philosophers physical picture play pleasure poem poet poetry possible practical present principle produce pure question reality reason relation result scientific seems sense shape sound speak spiritual style symbols theory things thought tion tragedy true truth unity universal whole