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Pagina 19
only as possessed by mind , but whereas in them mind and the external still sit loosely to each other , and in the one case the mind contemplates an external reality which owes to the mind its truth but not its reality , and in the ...
only as possessed by mind , but whereas in them mind and the external still sit loosely to each other , and in the one case the mind contemplates an external reality which owes to the mind its truth but not its reality , and in the ...
Pagina 27
3 Beauty is essentially the object of intelligence , for what knows in the full meaning of the word is the mind , which alone is open to the infinity of being . The natural site of beauty is the intelligible world : thence it descends .
3 Beauty is essentially the object of intelligence , for what knows in the full meaning of the word is the mind , which alone is open to the infinity of being . The natural site of beauty is the intelligible world : thence it descends .
Pagina 28
8 proportion , because the mind likes order and likes unity ; lastly and above all brightness or clarity , because the mind likes light and intelligibility . A certain splendor is indeed according to all the Ancients the essential ...
8 proportion , because the mind likes order and likes unity ; lastly and above all brightness or clarity , because the mind likes light and intelligibility . A certain splendor is indeed according to all the Ancients the essential ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. RICHARDS ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words