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Pagina 25
Moral values , which are mainly negative and extrinsic , must also be distinguished from esthetic values , which are positive and intrinsic . Next Santayana contrasts esthetic and physical pleasures : the former give us the illusion of ...
Moral values , which are mainly negative and extrinsic , must also be distinguished from esthetic values , which are positive and intrinsic . Next Santayana contrasts esthetic and physical pleasures : the former give us the illusion of ...
Pagina 39
Esthetic and moral judgments are accordingly to be classed together in contrast to judgments intellectual ; they are both judgments of value , while intellectual judgments are judgments of fact . If the latter have any value , it is ...
Esthetic and moral judgments are accordingly to be classed together in contrast to judgments intellectual ; they are both judgments of value , while intellectual judgments are judgments of fact . If the latter have any value , it is ...
Pagina 91
And since it is not the result of an act of will , so it escapes all moral discrimination , not because a privilege of exemption is accorded to it , but simply because moral discrimination cannot be applied to art .
And since it is not the result of an act of will , so it escapes all moral discrimination , not because a privilege of exemption is accorded to it , but simply because moral discrimination cannot be applied to art .
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. RICHARDS ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words