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Pagina 25
Moral values , which are mainly negative and extrinsic , must also be
distinguished from esthetic values , which are positive and intrinsic . Next
Santayana contrasts esthetic and physical pleasures : the former give us the
illusion of being ...
Moral values , which are mainly negative and extrinsic , must also be
distinguished from esthetic values , which are positive and intrinsic . Next
Santayana contrasts esthetic and physical pleasures : the former give us the
illusion of being ...
Pagina 39
Esthetic and moral judgments are accordingly to be classed together in contrast
to judgments intellectual ; they are both judgments of value , while intellectual
judgments are judgments of fact . If the latter have any value , it is only derivative
...
Esthetic and moral judgments are accordingly to be classed together in contrast
to judgments intellectual ; they are both judgments of value , while intellectual
judgments are judgments of fact . If the latter have any value , it is only derivative
...
Pagina 91
An artistic image portrays an act morally praiseworthy or blameworthy ; but this
image , as image , is neither morally ... Not only is there no penal code that can
condemn an image to prison or to death , but no moral judgment , uttered by a ...
An artistic image portrays an act morally praiseworthy or blameworthy ; but this
image , as image , is neither morally ... Not only is there no penal code that can
condemn an image to prison or to death , but no moral judgment , uttered by a ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness consists contemplation course criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular pattern perception person philosophical physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound style symbols theory things thought tion tragedy true truth unity universal whole writers