A modern book of esthetics: an anthology |
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Pagina 25
Moral values, which are mainly negative and extrinsic, must also be
distinguished from esthetic values, which are positive and intrinsic. Next
Santayana contrasts esthetic and physical pleasures: the former give us the
illusion of being relatively ...
Moral values, which are mainly negative and extrinsic, must also be
distinguished from esthetic values, which are positive and intrinsic. Next
Santayana contrasts esthetic and physical pleasures: the former give us the
illusion of being relatively ...
Pagina 39
Esthetic and moral judgments are accordingly to be classed together in contrast
to judgments intellectual; they are both judgments of value, while intellectual
judgments are judgments of fact. If the latter have any value, it is only derivative,
and ...
Esthetic and moral judgments are accordingly to be classed together in contrast
to judgments intellectual; they are both judgments of value, while intellectual
judgments are judgments of fact. If the latter have any value, it is only derivative,
and ...
Pagina 91
And since it is not the result of an act of will, so it escapes all moral discrimination,
not because a privilege of exemption is accorded to it, but simplv because moral
discrimination cannot be applied to art. An artistic image portrays an act morally ...
And since it is not the result of an act of will, so it escapes all moral discrimination,
not because a privilege of exemption is accorded to it, but simplv because moral
discrimination cannot be applied to art. An artistic image portrays an act morally ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling fighting games function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. Sullivan judgment kind knowledge language living material meaning merely mind moral Morris Weitz movement nature object organic organicism painter painting perceived perception person phantasy philosophers physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape soul spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words