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Pagina 17
It would be cognitive illusion if we thought the figures to be really moving . But they are really in motion in the esthetic reality in which the pictured form and the esthetically imputed motion are indissolubly one .
It would be cognitive illusion if we thought the figures to be really moving . But they are really in motion in the esthetic reality in which the pictured form and the esthetically imputed motion are indissolubly one .
Pagina 109
The gap is as necessary to him as the divi sion between his feet and the ground , which enables him , unlike a vegetable , to move about the world by his own volition . This suggestion itself is merely an attempt in words to suggest an ...
The gap is as necessary to him as the divi sion between his feet and the ground , which enables him , unlike a vegetable , to move about the world by his own volition . This suggestion itself is merely an attempt in words to suggest an ...
Pagina 137
If the Oedipus Rex is capable of moving a modern reader or playgoer no less powerfully than it moved the contemporary Greeks , the only possible explanation is that the effect of ...
If the Oedipus Rex is capable of moving a modern reader or playgoer no less powerfully than it moved the contemporary Greeks , the only possible explanation is that the effect of ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness consists contemplation course criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular pattern perception person philosophical physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound style symbols theory things thought tion tragedy true truth unity universal whole writers