A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 57
Pagina 64
... moved the man who expressed it . To take the simplest example : one man laughs , and another who hears becomes ... move- ments or by the sounds of his voice a man expresses courage and determination or sadness and calmness , and ...
... moved the man who expressed it . To take the simplest example : one man laughs , and another who hears becomes ... move- ments or by the sounds of his voice a man expresses courage and determination or sadness and calmness , and ...
Pagina 137
... moving a modern reader or playgoer no less powerfully than it moved the contemporary Greeks , the only possible ex- planation is that the effect of the Greek tragedy does not depend upon the con- flict between fate and human will , but ...
... moving a modern reader or playgoer no less powerfully than it moved the contemporary Greeks , the only possible ex- planation is that the effect of the Greek tragedy does not depend upon the con- flict between fate and human will , but ...
Pagina 463
... move- ments of a given culture . These movements , distinguished from one another by a major emphasis upon some aspect of the critical enterprise , may persist for centuries , but they acquire special importance during certain periods ...
... move- ments of a given culture . These movements , distinguished from one another by a major emphasis upon some aspect of the critical enterprise , may persist for centuries , but they acquire special importance during certain periods ...
Sommario
ART AS SEMBLANCE3 | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give Hugo Münsterberg human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words