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Pagina 17
It would be cognitive illusion if we thought the figures to be really moving . ... to be
what it represents , to have the significance appropriate to it ; for the painted
animal or tree to seem alive and to grow or move according to its kind ; for the
drawn ...
It would be cognitive illusion if we thought the figures to be really moving . ... to be
what it represents , to have the significance appropriate to it ; for the painted
animal or tree to seem alive and to grow or move according to its kind ; for the
drawn ...
Pagina 184
The real work of an artist is to build up an experience that is coherent in
perception while moving with constant change in its development . When an
author puts on paper ideas that are already clearly conceived and consistently
ordered , the ...
The real work of an artist is to build up an experience that is coherent in
perception while moving with constant change in its development . When an
author puts on paper ideas that are already clearly conceived and consistently
ordered , the ...
Pagina 379
I feel active in the movement or in the moving figure , and through projecting
myself into it I feel myself striving and performing this same movement . There is
no other way ; because under the assumed conditions there cannot be any other
...
I feel active in the movement or in the moving figure , and through projecting
myself into it I feel myself striving and performing this same movement . There is
no other way ; because under the assumed conditions there cannot be any other
...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS EMOTIONAL EXPRESSION | 51 |
ART AS INTUITION | 77 |
Copyright | |
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abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection conscious consists contemplation course criticism definition desire direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follows function give hand human ideas illusion imagination imitation important individual interest intuition judgment kind knowledge language less living look material matter meaning merely mind moral movement nature never object observation organic painting particular perception person philosophers physical picture play pleasure poem poet poetry possible practical present principle produce pure question reality reason relation result scientific seems sense shape sound speak spiritual style symbols theory things thought tion tragedy true truth unity universal whole