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Pagina 378
Or more generally , I see a person perform some kind of vigorous , nimble , free , or bold movements . ... The more I am absorbed in the contemplation of the seen movement the more involuntary will be the imitation .
Or more generally , I see a person perform some kind of vigorous , nimble , free , or bold movements . ... The more I am absorbed in the contemplation of the seen movement the more involuntary will be the imitation .
Pagina 379
I feel active in the movement or in the moving figure , and through projecting myself into it I feel myself striving and performing this same movement . There is no other way ; because under the assumed conditions there cannot be any ...
I feel active in the movement or in the moving figure , and through projecting myself into it I feel myself striving and performing this same movement . There is no other way ; because under the assumed conditions there cannot be any ...
Pagina 380
Both my situation and attitude prevent any bodily movements . ... At this point one may remark : The realization of a striving directed towards a bodily movement certainly does not consist in having a visual image of the movement ...
Both my situation and attitude prevent any bodily movements . ... At this point one may remark : The realization of a striving directed towards a bodily movement certainly does not consist in having a visual image of the movement ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness consists contemplation course criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular pattern perception person philosophical physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound style symbols theory things thought tion tragedy true truth unity universal whole writers