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Pagina 378
Or more generally , I see a person perform some kind of vigorous , nimble , free , or bold movements . ... The more I am absorbed in the contemplation of the seen movement the more involuntary will be the imitation .
Or more generally , I see a person perform some kind of vigorous , nimble , free , or bold movements . ... The more I am absorbed in the contemplation of the seen movement the more involuntary will be the imitation .
Pagina 379
I feel active in the movement or in the moving figure , and through projecting myself into it I feel myself striving and performing this same movement . There is no other way ; because under the assumed conditions there cannot be any ...
I feel active in the movement or in the moving figure , and through projecting myself into it I feel myself striving and performing this same movement . There is no other way ; because under the assumed conditions there cannot be any ...
Pagina 380
Both my situation and attitude prevent any bodily movements . ... At this point one may remark : The realization of a striving directed towards a bodily movement certainly does not consist in having a visual image of the movement ...
Both my situation and attitude prevent any bodily movements . ... At this point one may remark : The realization of a striving directed towards a bodily movement certainly does not consist in having a visual image of the movement ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. RICHARDS ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words