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Pagina 21
CYRIL : Nature follows the landscape painter then , and takes her effects from him ? VIVIAN : Certainly . Where , if not from the impressionists , do we get those wonderful brown fogs that come creeping down our streets , blurring the ...
CYRIL : Nature follows the landscape painter then , and takes her effects from him ? VIVIAN : Certainly . Where , if not from the impressionists , do we get those wonderful brown fogs that come creeping down our streets , blurring the ...
Pagina 33
Cézanne's familiar dictum expressed the same truth : " What we must do is Poussin over again on nature . That's the whole secret . " 21 The imitative arts aim neither at copying the appearance of nature nor at depicting " the ideal ...
Cézanne's familiar dictum expressed the same truth : " What we must do is Poussin over again on nature . That's the whole secret . " 21 The imitative arts aim neither at copying the appearance of nature nor at depicting " the ideal ...
Pagina 404
Whistler indeed said that to produce Art by imitating nature would be like trying to produce music by sitting upon the piano , but the selective , idealizing imitation of nature finds merely another support in such a saying .
Whistler indeed said that to produce Art by imitating nature would be like trying to produce music by sitting upon the piano , but the selective , idealizing imitation of nature finds merely another support in such a saying .
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. RICHARDS ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3 |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Provenienza dell'originale | la University of California |
| Digitalizzato | 29 ott 2008 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |