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Pagina 84
What the artist fixes on his canvas is something he has seen at a certain spot , on a certain day , at a certain hour , with a coloring that will never be seen again . What the poet sings of is a certain mood which was his , and his ...
What the artist fixes on his canvas is something he has seen at a certain spot , on a certain day , at a certain hour , with a coloring that will never be seen again . What the poet sings of is a certain mood which was his , and his ...
Pagina 216
Similarly , Mozart might have composed a melody , say a setting for a song , which was never sung and for which he did not produce a score . Would one say that these works had existed and been lost to the world ? Perhaps .
Similarly , Mozart might have composed a melody , say a setting for a song , which was never sung and for which he did not produce a score . Would one say that these works had existed and been lost to the world ? Perhaps .
Pagina 326
Opposition or contrast is never absent from balance , for even in symmetry , where the balancing elements are alike , the directions of these elements are opposed , right and left . But contrast is never by itself esthetically ...
Opposition or contrast is never absent from balance , for even in symmetry , where the balancing elements are alike , the directions of these elements are opposed , right and left . But contrast is never by itself esthetically ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. RICHARDS ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3 |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Provenienza dell'originale | la University of California |
| Digitalizzato | 29 ott 2008 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |