Dall'interno del libro
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Pagina 84
What the poet sings of is a certain mood which was his , and his alone , and
which will never return . What the dramatist unfolds before us is the life - history of
a soul , a living tissue of feelings and events - something , in short , which has
once ...
What the poet sings of is a certain mood which was his , and his alone , and
which will never return . What the dramatist unfolds before us is the life - history of
a soul , a living tissue of feelings and events - something , in short , which has
once ...
Pagina 216
Similarly , Mozart might have composed a melody , say a setting for a song ,
which was never sung and for which he did not produce a score . Would one say
that these works had existed and been lost to the world ? Perhaps . Normally , a
lost ...
Similarly , Mozart might have composed a melody , say a setting for a song ,
which was never sung and for which he did not produce a score . Would one say
that these works had existed and been lost to the world ? Perhaps . Normally , a
lost ...
Pagina 326
Opposition or contrast is never absent from balance , for even in symmetry ,
where the balancing elements are alike , the directions of these elements are
opposed , right and left . But contrast is never by itself esthetically satisfactory , for
the ...
Opposition or contrast is never absent from balance , for even in symmetry ,
where the balancing elements are alike , the directions of these elements are
opposed , right and left . But contrast is never by itself esthetically satisfactory , for
the ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS EMOTIONAL EXPRESSION | 51 |
ART AS INTUITION | 77 |
Copyright | |
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abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection conscious consists contemplation course criticism definition desire direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follows function give hand human ideas illusion imagination imitation important individual interest intuition judgment kind knowledge language less living look material matter meaning merely mind moral movement nature never object observation organic painting particular perception person philosophers physical picture play pleasure poem poet poetry possible practical present principle produce pure question reality reason relation result scientific seems sense shape sound speak spiritual style symbols theory things thought tion tragedy true truth unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Provenienza dell'originale | la University of California |
| Digitalizzato | 29 ott 2008 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |