A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 39
Pagina 156
... novel ; why the novel translates so well ; why novels are not composed of words . They are composed of scenes , actions , stuff , people , just as plays are . A " jeweled " style is a disadvantage to the novel because it distracts the ...
... novel ; why the novel translates so well ; why novels are not composed of words . They are composed of scenes , actions , stuff , people , just as plays are . A " jeweled " style is a disadvantage to the novel because it distracts the ...
Pagina 159
... novel . Poetry concentrates on the immediate affective associations of the word , instead of going first to the object or entity symbolized by the word and then drawing the affective association from that . Since words are fewer than ...
... novel . Poetry concentrates on the immediate affective associations of the word , instead of going first to the object or entity symbolized by the word and then drawing the affective association from that . Since words are fewer than ...
Pagina 205
... novel ?, ” “ Is Joyce's Finnegan's Wake a novel ? ” On the traditional view , these are construed as factual problems to be answered yes or no in accordance with the presence or absence of defining properties . But certainly this is not ...
... novel ?, ” “ Is Joyce's Finnegan's Wake a novel ? ” On the traditional view , these are construed as factual problems to be answered yes or no in accordance with the presence or absence of defining properties . But certainly this is not ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. RICHARDS ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words