A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 80
Pagina 19
... object the imaginative elements are but a part of the real object which is cognized , in beauty the supplementing imagination is independent of what is perceived and yet is blended with what is perceived into a new esthetic whole ...
... object the imaginative elements are but a part of the real object which is cognized , in beauty the supplementing imagination is independent of what is perceived and yet is blended with what is perceived into a new esthetic whole ...
Pagina 374
... object- a pleasure caused by viewing the object . In this experience the esthetic object is always sensuous , that is , sensuously perceived or imagined , and it is only this . I have a feeling of joy before a beautiful object : this ...
... object- a pleasure caused by viewing the object . In this experience the esthetic object is always sensuous , that is , sensuously perceived or imagined , and it is only this . I have a feeling of joy before a beautiful object : this ...
Pagina 439
... object itself , its way leads nowhere and its frame ends its world . And so we may say : to isolate an object for our mind ; to show the object as it really is ; to give us repose in the object ; to make the object beautiful - are only ...
... object itself , its way leads nowhere and its frame ends its world . And so we may say : to isolate an object for our mind ; to show the object as it really is ; to give us repose in the object ; to make the object beautiful - are only ...
Sommario
ART AS SEMBLANCE3 | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give Hugo Münsterberg human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words