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Pagina 19
Truly , because , whereas in perception of an external object the imaginative elements are but a part of the real object which is cognized , in beauty the supplementing imagination is independent of what is perceived and yet is blended ...
Truly , because , whereas in perception of an external object the imaginative elements are but a part of the real object which is cognized , in beauty the supplementing imagination is independent of what is perceived and yet is blended ...
Pagina 374
What I shall say applies to empathic projection into definite sorts of objects , especially into the movements ... In this experience the esthetic object is always sensuous , that is , sensuously perceived or imagined , and it is only ...
What I shall say applies to empathic projection into definite sorts of objects , especially into the movements ... In this experience the esthetic object is always sensuous , that is , sensuously perceived or imagined , and it is only ...
Pagina 439
And so we may say : to isolate an object for our mind ; to show the object as it really is ; to give us repose in ... In fancy , or in superstition , we might mentally connect any objects whatever in the world , but that would not be ...
And so we may say : to isolate an object for our mind ; to show the object as it really is ; to give us repose in ... In fancy , or in superstition , we might mentally connect any objects whatever in the world , but that would not be ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. RICHARDS ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words