Dall'interno del libro
Risultati 1-3 di 78
Pagina 19
Truly , because , whereas in perception of an external object the imaginative
elements are but a part of the real object which is cognized , in beauty the
supplementing imagination is independent of what is perceived and yet is
blended with ...
Truly , because , whereas in perception of an external object the imaginative
elements are but a part of the real object which is cognized , in beauty the
supplementing imagination is independent of what is perceived and yet is
blended with ...
Pagina 374
What I shall say applies to empathic projection into definite sorts of objects ,
especially into the movements , postures , and ... In this experience the esthetic
object is always sensuous , that is , sensuously perceived or imagined , and it is ...
What I shall say applies to empathic projection into definite sorts of objects ,
especially into the movements , postures , and ... In this experience the esthetic
object is always sensuous , that is , sensuously perceived or imagined , and it is ...
Pagina 381
And this means , for example , that the feelings of my bodily states must
disappear from consciousness to the degree in which I am engrossed in the
contemplation of the esthetic object - to which the states of my body simply
cannot belong .
And this means , for example , that the feelings of my bodily states must
disappear from consciousness to the degree in which I am engrossed in the
contemplation of the esthetic object - to which the states of my body simply
cannot belong .
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Sommario
ART AS SEMBLANCE | 3 |
ART AS EMOTIONAL EXPRESSION | 51 |
ART AS INTUITION | 77 |
Copyright | |
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abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection conscious consists contemplation course criticism definition desire direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follows function give hand human ideas illusion imagination imitation important individual interest intuition judgment kind knowledge language less living look material matter meaning merely mind moral movement nature never object observation organic painting particular perception person philosophers physical picture play pleasure poem poet poetry possible practical present principle produce pure question reality reason relation result scientific seems sense shape sound speak spiritual style symbols theory things thought tion tragedy true truth unity universal whole