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Pagina xxvi
The work of art may be defined as an organic unity of value - expressive constituents . The constituents include representations , connotations , and purely sensuous materials , and there is almost no value that cannot be represented ...
The work of art may be defined as an organic unity of value - expressive constituents . The constituents include representations , connotations , and purely sensuous materials , and there is almost no value that cannot be represented ...
Pagina 303
The content is the elements - in - relation ; the form is the relations - among - the - elements ; and the total work is the organic unity of relational elements . Content and form , separately conceived , are not in the poem ...
The content is the elements - in - relation ; the form is the relations - among - the - elements ; and the total work is the organic unity of relational elements . Content and form , separately conceived , are not in the poem ...
Pagina 386
The need of empathy may be regarded as the presupposition of the artistic purpose only where this purpose inclines to the truth of organic life , that is , to naturalism in the higher sense . The feeling of happiness , which is revived ...
The need of empathy may be regarded as the presupposition of the artistic purpose only where this purpose inclines to the truth of organic life , that is , to naturalism in the higher sense . The feeling of happiness , which is revived ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. RICHARDS ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3 |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Provenienza dell'originale | la University of California |
| Digitalizzato | 29 ott 2008 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |