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Pagina xxvi
The work of art may be defined as an organic unity of value - expressive
constituents . The constituents include representations , connotations , and purely
sensuous materials , and there is almost no value that cannot be represented ...
The work of art may be defined as an organic unity of value - expressive
constituents . The constituents include representations , connotations , and purely
sensuous materials , and there is almost no value that cannot be represented ...
Pagina 303
... but one thing regarded from two different points of view . The content is the
elements - in - relation ; the form is the relations - among - the - elements ; and
the total work is the organic unity of relational elements . Content and form ,
separately ...
... but one thing regarded from two different points of view . The content is the
elements - in - relation ; the form is the relations - among - the - elements ; and
the total work is the organic unity of relational elements . Content and form ,
separately ...
Pagina 386
The need of empathy may be regarded as the presupposition of the artistic
purpose only where this purpose inclines to the truth of organic life , that is , to
naturalism in the higher sense . The feeling of happiness , which is revived in us
by the ...
The need of empathy may be regarded as the presupposition of the artistic
purpose only where this purpose inclines to the truth of organic life , that is , to
naturalism in the higher sense . The feeling of happiness , which is revived in us
by the ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS EMOTIONAL EXPRESSION | 51 |
ART AS INTUITION | 77 |
Copyright | |
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abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection conscious consists contemplation course criticism definition desire direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follows function give hand human ideas illusion imagination imitation important individual interest intuition judgment kind knowledge language less living look material matter meaning merely mind moral movement nature never object observation organic painting particular perception person philosophers physical picture play pleasure poem poet poetry possible practical present principle produce pure question reality reason relation result scientific seems sense shape sound speak spiritual style symbols theory things thought tion tragedy true truth unity universal whole