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Pagina vii
The few very brief excerpts - as in the case of Wilde - present an idea no more tersely than in the original source . I have avoided snippity fragments , but I have counted brevity a virtue if the original thought is unmutilated .
The few very brief excerpts - as in the case of Wilde - present an idea no more tersely than in the original source . I have avoided snippity fragments , but I have counted brevity a virtue if the original thought is unmutilated .
Pagina 81
... that is , an entirely original harmony of forms and colors , but only one or two features that will make practical recognition easier . d In short , we do not see the actual things themselves ; in most cases we confine ourselves to ...
... that is , an entirely original harmony of forms and colors , but only one or two features that will make practical recognition easier . d In short , we do not see the actual things themselves ; in most cases we confine ourselves to ...
Pagina 112
That is to say , Picasso has passed from the age of true childish inspiration , through years of conceptual and technical training , back to the original vision which is not childish , but has all the originality of the child's eye ...
That is to say , Picasso has passed from the age of true childish inspiration , through years of conceptual and technical training , back to the original vision which is not childish , but has all the originality of the child's eye ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. RICHARDS ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3 |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Provenienza dell'originale | la University of California |
| Digitalizzato | 29 ott 2008 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |