A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 43
Pagina vii
... original source . I have avoided snippity fragments , but I have counted brevity a virtue if the original thought is unmutilated . The selections are varied to avoid one - sidedness and to present supplemen- tary or conflicting ...
... original source . I have avoided snippity fragments , but I have counted brevity a virtue if the original thought is unmutilated . The selections are varied to avoid one - sidedness and to present supplemen- tary or conflicting ...
Pagina 81
... original harmony of forms and colors , but only one or two features that will make practical recognition easier . In short , we do not see the actual things themselves ; in most cases we con- fine ourselves to reading the labels affixed ...
... original harmony of forms and colors , but only one or two features that will make practical recognition easier . In short , we do not see the actual things themselves ; in most cases we con- fine ourselves to reading the labels affixed ...
Pagina 112
... original vision which is not childish , but has all the originality of the child's eye , com- bined with the far greater depth and richness of a man's experience . It may be said — it is sometimes believed - that Picasso's originality ...
... original vision which is not childish , but has all the originality of the child's eye , com- bined with the far greater depth and richness of a man's experience . It may be said — it is sometimes believed - that Picasso's originality ...
Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling fighting games function give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce program music psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words