A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 58
Pagina 93
... ourselves with the reading of some sensational romance of adventure , where images follow images in the most vari- ous and unexpected way ; but we thus enjoy ourselves in moments of fatigue , when we are obliged to kill time , and with ...
... ourselves with the reading of some sensational romance of adventure , where images follow images in the most vari- ous and unexpected way ; but we thus enjoy ourselves in moments of fatigue , when we are obliged to kill time , and with ...
Pagina 168
... ourselves , not as we are , but as we are in active potentiality of becoming in relation to reality through society ... ourselves yet more conscious of ourselves . The more we grip external reality , the more our art develops and grows ...
... ourselves , not as we are , but as we are in active potentiality of becoming in relation to reality through society ... ourselves yet more conscious of ourselves . The more we grip external reality , the more our art develops and grows ...
Pagina 371
... ourselves , and cease thinking about ourselves exactly in proportion as we are thinking of the mountain's shape . What becomes therefore of our awareness of raising or lifting or rising ? What can become of it ( so long as it continues ...
... ourselves , and cease thinking about ourselves exactly in proportion as we are thinking of the mountain's shape . What becomes therefore of our awareness of raising or lifting or rising ? What can become of it ( so long as it continues ...
Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling fighting games function give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce program music psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words