A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 45
Pagina 102
... painter , or anything else . But be it pictorial , or verbal , or musical , or in whatever other form it appear , to ... painters , and bodies like sculptors ; save that painters and sculptors know how to paint and carve such images ...
... painter , or anything else . But be it pictorial , or verbal , or musical , or in whatever other form it appear , to ... painters , and bodies like sculptors ; save that painters and sculptors know how to paint and carve such images ...
Pagina 103
... painter is a painter , because he sees what others only feel or catch a glimpse of , but do not see . We think we see a smile , but in reality we have only a vague impression of it , we do not perceive all the characteristic traits of ...
... painter is a painter , because he sees what others only feel or catch a glimpse of , but do not see . We think we see a smile , but in reality we have only a vague impression of it , we do not perceive all the characteristic traits of ...
Pagina 415
... painter , indifferent , merely glances sidewise at the human reality . What happens there does not worry him ; he is , as they say , miles away from the event . His attitude is purely contemplative and one might even say that he does ...
... painter , indifferent , merely glances sidewise at the human reality . What happens there does not worry him ; he is , as they say , miles away from the event . His attitude is purely contemplative and one might even say that he does ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. RICHARDS ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words