A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 83
Pagina xxiii
... painting the ordinary wall of the mean room , I paint infinity , a plain background of the richest , intensest blue that I can contrive , and by this simple combination of the bright head against the rich blue background I get a ...
... painting the ordinary wall of the mean room , I paint infinity , a plain background of the richest , intensest blue that I can contrive , and by this simple combination of the bright head against the rich blue background I get a ...
Pagina 205
... painting , " " opera , " etc. , of " art " itself . No " Is X a novel , painting , opera , work of art , etc. ? " question allows of a definitive answer in the sense of a factual yes or no report . " Is this collage a painting or not ...
... painting , " " opera , " etc. , of " art " itself . No " Is X a novel , painting , opera , work of art , etc. ? " question allows of a definitive answer in the sense of a factual yes or no report . " Is this collage a painting or not ...
Pagina 345
... painting , in other periods , for example , the Carolingian , the early Romanesque , and the modern , these arts differ in essential respects . In England , the drawing and painting of the tenth and eleventh centuries - a time of great ...
... painting , in other periods , for example , the Carolingian , the early Romanesque , and the modern , these arts differ in essential respects . In England , the drawing and painting of the tenth and eleventh centuries - a time of great ...
Sommario
ART AS SEMBLANCE3 | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give Hugo Münsterberg human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words