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Pagina xxiii
Beyond the head , instead of painting the ordinary wall of the mean room , I paint infinity , a plain background of the ... 8 What Van Gogh seeks to communicate through his painting is not a mere factual description ; he wishes to paint ...
Beyond the head , instead of painting the ordinary wall of the mean room , I paint infinity , a plain background of the ... 8 What Van Gogh seeks to communicate through his painting is not a mere factual description ; he wishes to paint ...
Pagina 205
No " Is X a novel , painting , opera , work of art , etc. ? " question allows of a definitive answer ... necessary and sufficient properties of painting but on whether we decide — as we did ! -to extend “ painting " to cover this case ...
No " Is X a novel , painting , opera , work of art , etc. ? " question allows of a definitive answer ... necessary and sufficient properties of painting but on whether we decide — as we did ! -to extend “ painting " to cover this case ...
Pagina 232
In fact , in much of what we think of under the term painting , it is spatial design not color design that is the characteristic distinction . The parallel with music is still clear , though obviously not at all adequate .
In fact , in much of what we think of under the term painting , it is spatial design not color design that is the characteristic distinction . The parallel with music is still clear , though obviously not at all adequate .
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. RICHARDS ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words