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Pagina 232
A pitch pattern is easily recognizable as an aspect of melodic structure and hence of music . But pictures are not so regularly or so readily apprehended as being color patterns . In fact , in much of what we think of under the term ...
A pitch pattern is easily recognizable as an aspect of melodic structure and hence of music . But pictures are not so regularly or so readily apprehended as being color patterns . In fact , in much of what we think of under the term ...
Pagina 253
And above all , we can communicate , by producing a serried array of audible or visible words , in a pattern commonly known , and readily understood to reflect our multifarious concepts and percepts and their interconnections .
And above all , we can communicate , by producing a serried array of audible or visible words , in a pattern commonly known , and readily understood to reflect our multifarious concepts and percepts and their interconnections .
Pagina 265
The substance of the work consists in what appears in the visible pattern itself . Evidently , then , expression is not limited to living organisms that we assume to possess consciousness . A steep rock , a willow tree , the colors of a ...
The substance of the work consists in what appears in the visible pattern itself . Evidently , then , expression is not limited to living organisms that we assume to possess consciousness . A steep rock , a willow tree , the colors of a ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. RICHARDS ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3 |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Provenienza dell'originale | la University of California |
| Digitalizzato | 29 ott 2008 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |