A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 48
Pagina 46
... perceive . It exists in perception , and cannot exist otherwise . A beauty not perceived is a pleasure not felt , and a contradiction . But modern philosophy has taught us to say the same thing of every element of the perceived world ...
... perceive . It exists in perception , and cannot exist otherwise . A beauty not perceived is a pleasure not felt , and a contradiction . But modern philosophy has taught us to say the same thing of every element of the perceived world ...
Pagina 182
... perceived and be regulated by them , so , on the other side , seeing , hearing , tasting , become esthetic when relation to a distinct manner of activity qualifies what is perceived . There is an element of passion in all esthetic ...
... perceived and be regulated by them , so , on the other side , seeing , hearing , tasting , become esthetic when relation to a distinct manner of activity qualifies what is perceived . There is an element of passion in all esthetic ...
Pagina 186
... perceived , certainly not esthetically . A crowd of visitors steered through a picture - gallery , by a guide , with attention called here and there to some high point , does not perceive ; only by accident is there even interest in ...
... perceived , certainly not esthetically . A crowd of visitors steered through a picture - gallery , by a guide , with attention called here and there to some high point , does not perceive ; only by accident is there even interest in ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. RICHARDS ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words