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Pagina 88
I shall indicate the principal , or at least those that are the most important for us at this present moment of our culture . It denies , above all , that art is a physical fact : for example , certain determined colors , or relations ...
I shall indicate the principal , or at least those that are the most important for us at this present moment of our culture . It denies , above all , that art is a physical fact : for example , certain determined colors , or relations ...
Pagina 89
be a physical fact , which is something unreal . This sounds at first paradoxical , for nothing seems more solid and secure to the ordinary man than the physical world ; but we , in the seat of truth , must not abstain from the good ...
be a physical fact , which is something unreal . This sounds at first paradoxical , for nothing seems more solid and secure to the ordinary man than the physical world ; but we , in the seat of truth , must not abstain from the good ...
Pagina 215
According to them a work of art must be distinguished from all physical objects , even from such objects as the picture on the gallery wall , the sounds filling the concert hall , the printed volume from which the novel is being read .
According to them a work of art must be distinguished from all physical objects , even from such objects as the picture on the gallery wall , the sounds filling the concert hall , the printed volume from which the novel is being read .
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. RICHARDS ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3 |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Provenienza dell'originale | la University of California |
| Digitalizzato | 29 ott 2008 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |