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Pagina 14
We have said play is in general the wider concept , art and illusion play the narrower . Not every form of play is art , for not every one of them has the distinguishing feature of illusion . But every art is a form of play , for art ...
We have said play is in general the wider concept , art and illusion play the narrower . Not every form of play is art , for not every one of them has the distinguishing feature of illusion . But every art is a form of play , for art ...
Pagina 41
At the same time there is an undeniable propriety in calling all the liberal and imaginative activities of man play , because they are spontaneous , and not carried on under pressure of external necessity or danger .
At the same time there is an undeniable propriety in calling all the liberal and imaginative activities of man play , because they are spontaneous , and not carried on under pressure of external necessity or danger .
Pagina 130
think that he does not take this world seriously ; on the contrary , he takes his play very seriously and expends a great deal of emotion on it . The opposite of play is not serious occupation but - reality .
think that he does not take this world seriously ; on the contrary , he takes his play very seriously and expends a great deal of emotion on it . The opposite of play is not serious occupation but - reality .
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness consists contemplation course criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular perception person philosophical physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Provenienza dell'originale | la University of California |
| Digitalizzato | 29 ott 2008 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |