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Pagina 166
The whole forms the specific fused glow which is that poem's affective organization or emotional attitude to its meaning . Hence the same word has a different affective coloration in one poem from what it has in another , and it is for ...
The whole forms the specific fused glow which is that poem's affective organization or emotional attitude to its meaning . Hence the same word has a different affective coloration in one poem from what it has in another , and it is for ...
Pagina 312
You are telling me that the poetic value of Hamlet lies solely in its style and versification , and that my ... But in that case I can care no more for a poem than I do for a set of nonsense verses ; and I do not believe that the ...
You are telling me that the poetic value of Hamlet lies solely in its style and versification , and that my ... But in that case I can care no more for a poem than I do for a set of nonsense verses ; and I do not believe that the ...
Pagina 317
If the substance means ideas , images , and the like taken alone , and the form means the measured language taken by itself , this is a possible distinction , but it is a distinction of things not in the poem , and the value lies in ...
If the substance means ideas , images , and the like taken alone , and the form means the measured language taken by itself , this is a possible distinction , but it is a distinction of things not in the poem , and the value lies in ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness consists contemplation course criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular perception person philosophical physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Provenienza dell'originale | la University of California |
| Digitalizzato | 29 ott 2008 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |