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Pagina 166
The whole forms the specific fused glow which is that poem's affective organization or emotional attitude to its meaning . Hence the same word has a different affective coloration in one poem from what it has in another , and it is for ...
The whole forms the specific fused glow which is that poem's affective organization or emotional attitude to its meaning . Hence the same word has a different affective coloration in one poem from what it has in another , and it is for ...
Pagina 312
You are telling me that the poetic value of Hamlet lies solely in its style and versification , and that my ... But in that case I can care no more for a poem than I do for a set of nonsense verses ; and I do not believe that the ...
You are telling me that the poetic value of Hamlet lies solely in its style and versification , and that my ... But in that case I can care no more for a poem than I do for a set of nonsense verses ; and I do not believe that the ...
Pagina 317
If the substance means ideas , images , and the like taken alone , and the form means the measured language taken by itself , this is a possible distinction , but it is a distinction of things not in the poem , and the value lies in ...
If the substance means ideas , images , and the like taken alone , and the form means the measured language taken by itself , this is a possible distinction , but it is a distinction of things not in the poem , and the value lies in ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. RICHARDS ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words