A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 81
Pagina 166
... poem's affective organization or emotional attitude to its meaning . Hence the same word has a different affective coloration in one poem from what it has in another , and it is for this reason that a poem is concrete . It is ...
... poem's affective organization or emotional attitude to its meaning . Hence the same word has a different affective coloration in one poem from what it has in another , and it is for this reason that a poem is concrete . It is ...
Pagina 312
... poem than I do for a set of nonsense verses ; and I do not be- lieve that the authors of Hamlet and Crossing the Bar regarded their poems thus . " These antitheses of subject , matter , substance on the one side , form , treat- ment ...
... poem than I do for a set of nonsense verses ; and I do not be- lieve that the authors of Hamlet and Crossing the Bar regarded their poems thus . " These antitheses of subject , matter , substance on the one side , form , treat- ment ...
Pagina 317
... poem , and the value lies in neither of them . If substance and form mean anything in the poem , then each is involved in the other , and the question in which of them the value lies has no sense . No doubt you may say , speaking ...
... poem , and the value lies in neither of them . If substance and form mean anything in the poem , then each is involved in the other , and the question in which of them the value lies has no sense . No doubt you may say , speaking ...
Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling fighting games function give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce program music psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words