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Pagina 86
Though the assertion may seem paradoxical , a study of other men is probably
not necessary to the tragic poet . We find some of the great poets have lived a
retiring , homely sort of life , without having a chance of witnessing around them
an ...
Though the assertion may seem paradoxical , a study of other men is probably
not necessary to the tragic poet . We find some of the great poets have lived a
retiring , homely sort of life , without having a chance of witnessing around them
an ...
Pagina 146
The question of the significance to the poet of his own creative work - of his
regarding it as a trifle , as a screen , as a source of suffering or as an
achievement - does not concern us at the moment , our task being to interpret the
work of art ...
The question of the significance to the poet of his own creative work - of his
regarding it as a trifle , as a screen , as a source of suffering or as an
achievement - does not concern us at the moment , our task being to interpret the
work of art ...
Pagina 487
People do , indeed , add the word “ maker ” or “ poet ” to the name of the meter ,
and speak of elegiac poets , or epic ( that is , hexameter ) poets , as if it were not
the imitation that makes the poet , but the verse that entitles them all ...
People do , indeed , add the word “ maker ” or “ poet ” to the name of the meter ,
and speak of elegiac poets , or epic ( that is , hexameter ) poets , as if it were not
the imitation that makes the poet , but the verse that entitles them all ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS EMOTIONAL EXPRESSION | 51 |
ART AS INTUITION | 77 |
Copyright | |
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abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection conscious consists contemplation course criticism definition desire direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follows function give hand human ideas illusion imagination imitation important individual interest intuition judgment kind knowledge language less living look material matter meaning merely mind moral movement nature never object observation organic painting particular perception person philosophers physical picture play pleasure poem poet poetry possible practical present principle produce pure question reality reason relation result scientific seems sense shape sound speak spiritual style symbols theory things thought tion tragedy true truth unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Provenienza dell'originale | la University of California |
| Digitalizzato | 29 ott 2008 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |