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Pagina 437
How vain sounds now the claim that the truth of science is the only possible truth and that every presentation of objects which is not based on scientific knowledge carries us away from the objective facts .
How vain sounds now the claim that the truth of science is the only possible truth and that every presentation of objects which is not based on scientific knowledge carries us away from the objective facts .
Pagina 444
What [ the artist ] puts into his work is a selection made from an indefinitely large number of possible elements , and their specific arrangement is also only one of many possible . This selection and arrangement is due to the ...
What [ the artist ] puts into his work is a selection made from an indefinitely large number of possible elements , and their specific arrangement is also only one of many possible . This selection and arrangement is due to the ...
Pagina 494
But tragedians still keep to real names , the reason being that what is possible is credible : what has not happened we do not at once feel sure to be possible : but what has happened is manifestly possible : otherwise it would not have ...
But tragedians still keep to real names , the reason being that what is possible is credible : what has not happened we do not at once feel sure to be possible : but what has happened is manifestly possible : otherwise it would not have ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. RICHARDS ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words