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Pagina 78
This generalized description and awareness of the object is sufficient for practical purposes . If the individuality of the thing eludes him , he nevertheless has distinguished the features that make the object an instrument for his use ...
This generalized description and awareness of the object is sufficient for practical purposes . If the individuality of the thing eludes him , he nevertheless has distinguished the features that make the object an instrument for his use ...
Pagina 97
... heap of images put together in play or intentionally or for some other practical purpose , the connection of which , being practical , shows itself to be not organic , but mechanic , when considered from the esthetic point of view .
... heap of images put together in play or intentionally or for some other practical purpose , the connection of which , being practical , shows itself to be not organic , but mechanic , when considered from the esthetic point of view .
Pagina 441
The purpose for which we looked out in scientific knowledge was practical mastery of the world for the outer achievements ; we had to know what causes were connected with what effects . No other kind of truth can help us for this end ...
The purpose for which we looked out in scientific knowledge was practical mastery of the world for the outer achievements ; we had to know what causes were connected with what effects . No other kind of truth can help us for this end ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. RICHARDS ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words