Dall'interno del libro
Risultati 1-3 di 80
Pagina xxx
Esthetic contemplation , which is described in the present volume in such terms
as “ isolation , ” “ psychical distance , ” “ empathy , " " abstraction , " and "
synaesthesis , ” can be more simply characterized as receptivity to the values
expressed ...
Esthetic contemplation , which is described in the present volume in such terms
as “ isolation , ” “ psychical distance , ” “ empathy , " " abstraction , " and "
synaesthesis , ” can be more simply characterized as receptivity to the values
expressed ...
Pagina 132
So past , present , and future are threaded , as it were , on the string of the wish
that runs through them all . A very ordinary example may serve to make my
statement clear . Take the case of a poor orphan lad , to whom you have given
the ...
So past , present , and future are threaded , as it were , on the string of the wish
that runs through them all . A very ordinary example may serve to make my
statement clear . Take the case of a poor orphan lad , to whom you have given
the ...
Pagina 294
If this be admitted we may , for our present purposes , divide musical
compositions into three classes . We may admit that , so far as our present
analysis penetrates , there are compositions which exist in isolation . Secondly ,
there are ...
If this be admitted we may , for our present purposes , divide musical
compositions into three classes . We may admit that , so far as our present
analysis penetrates , there are compositions which exist in isolation . Secondly ,
there are ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS EMOTIONAL EXPRESSION | 51 |
ART AS INTUITION | 77 |
Copyright | |
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abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection conscious consists contemplation course criticism definition desire direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follows function give hand human ideas illusion imagination imitation important individual interest intuition judgment kind knowledge language less living look material matter meaning merely mind moral movement nature never object observation organic painting particular perception person philosophers physical picture play pleasure poem poet poetry possible practical present principle produce pure question reality reason relation result scientific seems sense shape sound speak spiritual style symbols theory things thought tion tragedy true truth unity universal whole