A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 81
Pagina 317
... principle or ultimate question of value is touched by them . And apart from that question , of course , I am not denying the usefulness and necessity of the distinction . We cannot dispense with it . To consider separately the action or ...
... principle or ultimate question of value is touched by them . And apart from that question , of course , I am not denying the usefulness and necessity of the distinction . We cannot dispense with it . To consider separately the action or ...
Pagina 323
... principles are , I think , very few ; as few , indeed , as six : the principle of organic unity , or unity in variety , as it has been called ; the principle of the theme ; the principle of thematic variation ; balance ; the principle ...
... principles are , I think , very few ; as few , indeed , as six : the principle of organic unity , or unity in variety , as it has been called ; the principle of the theme ; the principle of thematic variation ; balance ; the principle ...
Pagina 361
... principle : the principle of economy . This principle is of course not unknown in other phases of art : but the point is that in mechanical forms it is at all times a controlling one , and it has for its aid the more exact calculations ...
... principle : the principle of economy . This principle is of course not unknown in other phases of art : but the point is that in mechanical forms it is at all times a controlling one , and it has for its aid the more exact calculations ...
Sommario
ART AS SEMBLANCE3 | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give Hugo Münsterberg human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words